As part of the first North Bali Culture Conference & Festival, Vaughan Hatch was invited to present a seminar about preservation of gamelan in South Bali as a potential model for the North, and Mekar Bhuana presented a demonstration and performance of semar pegulingan saih pitu.
Performance for the gods of classical seven-tone semara pagulingan and pelegongan repertoire at Pura Dalem Alas Arum Sukawati, several days after we returned from Singapore (May 14, 2009).
Performances by our semara pagulingan troupe at the Esplanade in Singapore. We presented rare seven-tone repertoire at A Tapestry of Sacred Music festival held May1-3, 2009.
Wayan Sadera (instructor and group leader), Wayan Sunarya, Nyoman Sudarsana and Komang Agus Juniawan, coordinated by Vaughan Hatch performing Teges Kanginan style of gender wayang at World Music Shanghai in May 2008
1999 – 2000 Preservation of three Pacung Village, Gianyar style gender wayang instrumental pieces. This music was taught to musicians outside of Pacung to encourage
After nine years of ongoing preservation project, practices and performances, Mekar Bhuana have finally released their first audio recording. A compilation of semara pagulingan and