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    Address: Jl. Gandapura III, no. 501X
    Kesiman Kertalangu
    Bali - Indonesia
    Open 9 PM - 5 PM Monday - Friday
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    Semar Pegulingan Saih Pitu Mekar Bhuana Examples: Unduk, Kamasan Village, Klungkung style Blandongan, Pagan Kelod Village, Denpasar style Bramara, Kaliungu Kelod Village, Denpasar style Sinom Kelanguan, composed in 1941 by I Ketut Gending from Gerenceng Village, Denpasar Ginanti, Titih Village, Denpasar style Semara Patangian (Pelegongan) Mekar Bhuana Examples: Kawitan (first section), I Wayan Lotring, Kuta Bopong (opening section), I Wayan Lotring, Kuta Bopong (closing section), I Wayan Lotring, Kuta Gender Wayang Mekar Bhuana Examples: Seketi, Br. Teges Kanginan Pemungkah, Pacung Village style Cangak Merengang, Pacung Village style Selonding Mekar Bhuana examples: Dukuh Dayang, Bugbug Village, Karangasem style Gumi Usak, originally from Asak Village, Karangasem; re-arranged by Vaughan Hatch Please note that no audio from this page or any page from www.balimusicanddance.com is to be used without the permission of the owners of Mekar Bhuana. Contact Us if you have any further questions.


    Mekar Bhuana’s Interactive Semara Pagulingan Performance at Bali Arts Festival Fascinates Balinese Public
    "Who can tell us how many different types of semara pagulingan there are in Bali," Vaughan quizzed the audience at Mekar Bhuana's semara pagulingan performance


    1999 – 2000 Preservation of three Pacung Village, Gianyar style gender wayang instrumental pieces. This music was taught to musicians outside of Pacung to encourage


    Gongs in Bali Part III – what is characteristic about Balinese gongs?
    The two common types of materials for gong making are bronze and iron, with the former being more prestigious and therefore a lot more expensive.


    Video Publications
    In 2010, we produced the first DVD of Balinese court music ever filmed in a historic temple. This video documents rare court semara pagulingan music

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